![]() Everything here is rejigged magnificentlyĬertainly, these scenarios recreate the vibe of the sleeve art of last year’s Rough and Rowdy Ways. Tonight’s tunes bear little resemblance to their recorded forebears. But on a radical rereading of I’ll Be Your Baby Tonight, he allows the camera to come in very close indeed. The speakeasy gives way to black-and-white checked linoleum with what looks like a boat sail behind Dylan. For an artist so wedded to the idea of the troubadour life, it’s significant that these are 11 stagey tableaux filmed by director Alma Har’el, employing several different set-ups. To add to this mounting sense of artistry bound up with no little artfulness, Dylan’s performance isn’t live. What Was It You Wanted, for one, dates from 1989’s Oh Mercy. But some of the songs Dylan plays tonight don’t quite fit the bill. Billed as The Early Songs of Bob Dylan, and teased by a snippet of the rarely heard Watching the River Flow, this set finds Highway 61 Revisited revisited a few times. He is, of course, an inveterate trickster. Best of all is his poignant drawl on a sensational What Was It You Wanted, a series of accusatory questions that stress how slippery knowledge is. Tender on Queen Jane Approximately, sneery to the verge of self-parody on Tombstone Blues, his vocals become arch on the playful To Be Alone With You. He hasn’t performed in public since his Never Ending Tour hit a hiatus in December 2019 his last broadcast performance was in 1994. It’s the dive bar of dreams, where Dylan is in excellent voice, his instrument clearly benefiting from the enforced break from active touring. A ventilation duct blows tinsel streamers. Wherever we are, whenever we are, the atmosphere is on point.
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